Sometime before 1579, Zhou Lujing, a professional writer living in a bustling commercial town in southeastern China, published a series of lavishly illustrated books, which constituted the first multigenre painting manuals in Chinese history. Their popularity was immediate and their contents and format were widely reprinted and disseminated in a number of contemporary publicati...(展开全部)

An unprecedented passion for saving lives swept through late Ming society, giving rise to charitable institutions that transcended family, class, and religious boundaries. Analyzing lecture transcripts, administrative guidelines, didactic tales, and diaries, Joanna Handlin Smith abandons the facile explanation that charity was a response to poverty and social unrest and examine...(展开全部)

Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture. The Ming is known for its extraordinary cultural and economic accomplishments in the increasingly globalized early modern world...(展开全部)

Throughout the history of imperial China, the educated elite used various means to criticize government policies and actions. During the Song dynasty (960-1278), some members of this elite found an elegant and subtle means of dissent: landscape painting. By examining literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Mur...(展开全部)

Iconoclastic scholar Li Zhi (1527–1602) was a central figure in the cultural world of the late Ming dynasty. His provocative and controversial words and actions shaped print culture, literary practice, attitudes toward gender, and perspectives on Buddhism and the afterlife. Although banned, his writings were never fully suppressed, because they tapped into issues of vital signi...(展开全部)

Offers a comparative and deconstructive reading of the cross-cultural encounter between the Jesuits and their Confucian hosts in late Ming China. The Jesuit mission to China more than four hundred years ago has been the subject of sustained scholarly investigation for centuries. Focusing on the concepts of friendship and hospitality as they were both theorized and practiced by ...(展开全部)

Throughout much of history, imperial China has exhibited a seemingly capricious relationship with the sea. At times, it has welcomed commerce and travel across its vast waters with open arms, yet at others, it has sought to completely cordon off the littoral and the waters beyond. This intermittent approach has fostered a maritime community that, over time, has become increasin...(展开全部)

According to imperial edict in pre-modern China, an elementary school was to be established in every village in the empire for any boy to attend. This book looks at how the schools worked, how they changed over time, and who promoted them and why. Over the course of the Ming period (1368-1644), schools were sponsored first by the emperor, then by the central bureaucracy, then b...(展开全部)

In Physiognomy in Ming China: Fortune and the Body, Xing Wang investigates the intellectual and technical contexts in which the knowledge of physiognomy ( xiangshu) was produced and transformed in Ming China (1368-1644 C.E.). Known as a fortune-telling technique via examining the human body and material objects, Xing Wang shows how the construction of the physiognomic body in m...(展开全部)

卜正民（Timothy Brook），1951年生，享誉世界汉学界的史学大家，师从孔飞力教授，毕业于美国哈佛大学，历任多伦多大学、斯坦福大学等校教授，英国牛津大学邵氏汉学教授，美国亚洲学会前任会长。现为加拿大英属哥伦比亚大学圣约翰学院历史系教授，兼圣约翰神学院院长。学术视野广阔，主要从事亚洲历史和文化的研究，研究领域涉及明代社会和文化史、“二战”时期日本在中国的占领等。 主编六卷本“哈佛中国史”丛书，并撰写其中第5卷《挣扎的帝国：元与明》，首次从气候这一环境史的新视角解读元明两大帝国的兴衰，呈现出第一个连贯的生态历史。 已翻译为中文的作品多达十几种，在海峡两岸拥有庞大的读者群。其他主要代表作品有：《秩序的沦陷》、《杀千刀》、《纵乐的困惑》、《明代的国家与社会》、《维梅尔的帽子》等。其中，《纵乐的困惑》获得2000年美国“列文森中国研究最佳著作奖”，《...(展开全部)